Feb 23, 2014
In 28 Years White People Will Become The 'Minority' In America. Let’s Have A Quick Laugh About It.
According to census figures, whites* are projected to become the "minority" race in America by 2042. As a conservative estimate, I'd say there are probably going to be 219,402,392,302 think-pieces written about this upcoming phenomenon. Here's why you should take it all with a grain of salt.
*In the official census count, "Lebanese, Arab, Moroccan" are also counted as white. This proves that race is a totally made-up thing and that somebody at the Census Bureau is hitting the sauce hard during work hours. –Upworthy
*In the official census count, "Lebanese, Arab, Moroccan" are also counted as white. This proves that race is a totally made-up thing and that somebody at the Census Bureau is hitting the sauce hard during work hours. –Upworthy
Carmina Burana and Stravinsky Add
Carmina Burana and Stravinsky Violin Concerto
March 6, 2014 to March 15, 2014 Academy of Music
Presented by Fred Alger Management, Inc.
March 6, 2014 to March 15, 2014 Academy of Music
Presented by Fred Alger Management, Inc.
Don’t miss a special 50th Anniversary Season encore presentation of John
Butler’s Carmina Burana. This signature of the Pennsylvania Ballet
repertoire since the 1960s is performed with The Philadelphia Singers
and ChildrenSong New Jersey. The evening opens with the Company premiere
of Balanchine’s Stravinsky Violin Concerto. One of Balanchine’s black
and white ballets, this work showcases the legendary relationship
between its choreographer and composer.
Thursday, March 6 at 7:30 p.m.
Sunday, March 9 at 2 p.m.
Thursday, March 13 at 7:30 p.m.
Friday, March 14 at 7:30 p.m.
Saturday, March 15 at 2 & 8 p.m.
Buy Now for the Best Seats!
Call 215.893.1999 or visit paballet.org
Sunday, March 9 at 2 p.m.
Thursday, March 13 at 7:30 p.m.
Friday, March 14 at 7:30 p.m.
Saturday, March 15 at 2 & 8 p.m.
Buy Now for the Best Seats!
Call 215.893.1999 or visit paballet.org
Feb 16, 2014
Google Play Movies And TV Shows Now Available On iPhone And iPad
Shots… sort of… fired!
Movies and TV shows you’ve purchased from the Google Play store can now be watched on portables bearing an Apple logo, as reported by Engadget.
The key word is “watched,” as Google has sidestepped Apple’s 30% finder’s fee for in-app purchases by requiring you to browse and buy the content elsewhere – from your computer or Android device, for instance – then hopping back into the Google Play Movies & TV iOS app to watch that content once you own it. Amazon does a similar end-around with its Kindle and Instant Video apps for iOS, as do other purveyors of goods tangible and intangible.
The app sports the Chromecast button, so if you’ve one of those $35 TV smarteners, you’re all set up for streaming. –Time
Movies and TV shows you’ve purchased from the Google Play store can now be watched on portables bearing an Apple logo, as reported by Engadget.
The key word is “watched,” as Google has sidestepped Apple’s 30% finder’s fee for in-app purchases by requiring you to browse and buy the content elsewhere – from your computer or Android device, for instance – then hopping back into the Google Play Movies & TV iOS app to watch that content once you own it. Amazon does a similar end-around with its Kindle and Instant Video apps for iOS, as do other purveyors of goods tangible and intangible.
The app sports the Chromecast button, so if you’ve one of those $35 TV smarteners, you’re all set up for streaming. –Time
Two Teachers Sum Up This Winter With A Parody Cover Of “Ice, Ice Baby”
"Alright Stop! Collaborate and listen: Ice is back and the roads will glisten!" they sing
If America had more teachers like Durham Academy Upper School’s Head Michael Ulku-Steiner and assistant Lee Hark, students might be more excited about school. The North Carolina private school released a rather unconventional weather announcement, in which Ulku-Steiner and Hark, donning ski goggles and an Olympic sweater, rap to Vanilla Ice’s “Ice, Ice Baby.” “Alright Stop! Collaborate and listen,” begins Ulku-Steiner, as Hark bobs awkwardly in the background. “Ice is back and the roads will glisten!” The whole thing is pretty great:
Feb 9, 2014
John Lithgow On The Sundance Film ‘Love Is Strange’ And Gay Rights In Utah
In Ira Sachs’s splendid New York City drama Love Is Strange, John Lithgow plays one-half of an elderly gay couple that’s torn apart for reasons beyond their control.
It’s fitting that Love Is Strange is premiering in Utah.
Directed by openly gay filmmaker Ira Sachs, the movie centers on Ben (John Lithgow) and George (Alfred Molina), a couple of nearly forty years who are forced to live apart after George is fired from his job as a chorus teacher at a Catholic school for marrying his partner. While they look for an apartment—which, in New York City, is no easy task—Ben crashes at his nephew Elliot’s (Darren E. Burrows) place, much to the chagrin of his wife, Kate (Marisa Tomei), and teenage son, Joey (Charlie Tahan). Meanwhile, George is forced to sleep on the couch of Ted (Cheyenne Jackson), Ben’s other nephew and a hard-partying gay cop. It’s a tender tale about two old folks, deeply in love, who are torn apart by circumstances.
Love Is Strange made its premiere at the 2014 Sundance Film Festival. And Sachs is no stranger to Sundance. His film Forty Shades of Blue took home the Grand Jury Prize in 2005.
And Utah, meanwhile, is a battleground state in the fight for marriage equality. Back on Dec. 20, a federal district judge overturned the state’s ban on gay marriage, deeming the law unconstitutional. But, on Jan. 6, the Supreme Court ordered a halt on new marriage licenses issued for same-sex couples while that judge’s decision is appealed. Meanwhile, Utah Gov. Gary Herbert is adamant that his administration will not recognize same-sex marriages—even though Utah’s state tax board has allowed same-sex couples to file joint tax returns.
Golden Globe and Emmy-winning actor John Lithgow, who’s long been a proponent for marriage equality, sat down with us to discuss his new film, the gay rights movement, and much more.
I was walking into the Eccles Theater yesterday to see the premiere screening of Love Is Strange and, since it doubles as a high school, these two young girls, who couldn’t have been older than 15, had set up a little table outside for the Gay Straight Alliance. It was a really nice sight.
High schoolers? That’s remarkable.
And the film is premiering here in Utah, since it’s become a battleground state in the fight for gay rights.
I think it’s a very good sign that it’s a battle in Utah. It didn’t used to be a battle because no one had the courage to come out or to declare himself or herself as gay. Now, it’s a battle, and people are standing up for their rights. It’s the nature of a revolution—there are revolutionaries, and now there are revolutionaries in Utah. I’m on the side of same-sex marriage and marriage equality. I’m not a gay man, but I grew up in a world of gay men and women in the theater and the arts. Some of my best friends—no, I would say my best friends—are gay people, so I’ve grown up in a very accepting mode with homosexuality. But I’m also a very empathic person and I understand people’s discomfort with homosexuality—with “the other”—and as a character actor, I’m accustomed to playing people with all sorts of inclinations and impulsions. I’m fascinated by the differences in people, but I’m also tolerant of them. The beautiful thing about this film is that it comes down on the side of tolerance and acceptance.
Homophobia and fear of, like you said, the “other,” really stems from a fear of the unknown. My Aunt has a lot of gay friends, and they were always around the house when I was a kid. We’d play charades and stuff in the living room. If you get to know gay people—or any person, for that matter—you’re probably not going to be intolerant.
Everybody is related to some gay person. Everybody has a gay person who’s a good friend and a lot of people don’t even realize it because, culturally, it’s a covert thing. And that’s wrong. Nobody in society should have to hide who they are, or feel like they’re second class citizens in any way. It makes me feel good that if this film is seen by a lot of people and is successful, it will nudge those people in the direction of acceptance. There’s nothing wrong with accepting people’s homosexuality. It doesn’t do any damage. All it does is treat people with more respect than they’ve culturally been accustomed to.
I was speaking to Lee Daniels who called the gay rights movement “the Civil Rights Movement of our time.” We are in Utah, and there’s another documentary here, Mitt, about Mitt Romney, who’s famously against gay rights. Why do you think there is so much resistance to gay rights on the part of mainly Republicans?
I can’t even begin to speculate. We all grow up with inherited genes and inherited sensibilities, and they run very, very deep. My parents were good ol’ FDR lefties, and my Dad was a man of the theater who produced and directed classical repertory Shakespeare festivals in Ohio. I grew up in a world with an extraordinary variety of people of various backgrounds. But a lot of people don’t grow up that way. A lot of people grow up in a very protected world, and they want to keep it that way for their reasons. But who knows how it falls out politically. I do know that young people are way ahead of older people. I remember that in 2004, I was rehearsing for a big Broadway musical in San Diego, and a same-sex marriage ban was enacted in some state, and I was asked about gay marriage, and I said, “Ten years from now, we are going to look back and wonder what the big deal was. People will be married, people will be accepted, and the gay lifestyle will not be thought of as wrong in any way. We’ll laugh at ourselves right now.” And it came to pass! I feel like I was speaking wise beyond my years. But with society, it’s like turning around a big tanker to change sensibilities that way.
It takes time.
And it takes leadership. With Obama, it took him awhile to come around, but he came around. And you can’t go back from something like that.
It was really Biden who forced his hand on gay marriage.
Biden made him! Yup. But you know it was what Obama believed long before he ever said it. He just had to behave politically. But it really moved things down the field. He’s made a big difference.
I viewed Love is Strange as more of a New York story than a gay-themed one. It seems like these two characters are torn apart because of the economy, and because the real estate market in New York City is impossible.
Yes! That’s what Marisa [Tomei] was saying. As far as she was concerned, it was a movie about New York real estate. I love New York. I lived there all through the ‘70s, and have lived in L.A. since the early ‘80s, but come back all the time to do theater. My wife is a professor at UCLA in Los Angeles, but otherwise, I’d be right back living on the Upper West Side. The theater is my power center, and I love doing it in New York. But Ira himself said it was a love letter to New York. He’s a gay man who first felt completely comfortable when he got to New York, having grown up in Memphis, Tennessee.
When did you and Alfred know that you had such special onscreen chemistry?
Alfred was set and another actor was set in the role I ended up playing—I won’t say whom, out of respect for him—but I think he made the mistake of his career not playing the part. So, when I was offered it, a splendid actor had been set to play it so certainly I was interested. And Alfred and me are old friends. We met in the early ‘90s and have lots of mutual friends, have had suppers together with mutual friends. We just really, really like each other, and I greatly admire his acting onstage and on film. He’s a very courageous actor. It was an act of faith for both of us.
And you have been doing more films of late. Is this a conscious choice?
I have been doing more films since doing a lot of theater after 3rd Rock From the Sun—playing small roles in This Is 40, The Campaign, and Rise of the Planet of the Apes. Nice films, but small roles. I was offered a small part in a big movie and a big part in this small movie, and they were shooting in the same time period. I was all set to do this one because it meant so much to me. Fortunately, my agent pulled off a magic trick and I got to do both—this, and Interstellar. I was almost ready to forego probably the biggest movie of next year. That’s how much this movie meant to me… Don’t tell Chris Nolan!
I won’t! So did you shoot this before Interstellar?
No, Interstellar came first. Ira came all the way to Calgary where we were shooting Interstellar to work with me for two days on the script—to his great credit. They couldn’t possibly be more different films. Oh, and what a wonderful guy Matthew [McConaughey] is. Just a delightful man. He really deserves everything that’s coming his way.
Are you gonna see Joseph Gordon-Levitt during the festival this year?
I already have seen him! Saw him Friday night and he threw a big party. It doesn’t surprise me that he’s such a big-time actor now. Back when he was working with us on 3rd Rock, he was surprisingly grown-up—such an adult teenage boy. Now, as an adult, he’s still a kid. It’s a wonderful thing. He’s hung on to all the fun of the 3rd Rock days. –The Daily Beast
It’s fitting that Love Is Strange is premiering in Utah.
Directed by openly gay filmmaker Ira Sachs, the movie centers on Ben (John Lithgow) and George (Alfred Molina), a couple of nearly forty years who are forced to live apart after George is fired from his job as a chorus teacher at a Catholic school for marrying his partner. While they look for an apartment—which, in New York City, is no easy task—Ben crashes at his nephew Elliot’s (Darren E. Burrows) place, much to the chagrin of his wife, Kate (Marisa Tomei), and teenage son, Joey (Charlie Tahan). Meanwhile, George is forced to sleep on the couch of Ted (Cheyenne Jackson), Ben’s other nephew and a hard-partying gay cop. It’s a tender tale about two old folks, deeply in love, who are torn apart by circumstances.
Love Is Strange made its premiere at the 2014 Sundance Film Festival. And Sachs is no stranger to Sundance. His film Forty Shades of Blue took home the Grand Jury Prize in 2005.
And Utah, meanwhile, is a battleground state in the fight for marriage equality. Back on Dec. 20, a federal district judge overturned the state’s ban on gay marriage, deeming the law unconstitutional. But, on Jan. 6, the Supreme Court ordered a halt on new marriage licenses issued for same-sex couples while that judge’s decision is appealed. Meanwhile, Utah Gov. Gary Herbert is adamant that his administration will not recognize same-sex marriages—even though Utah’s state tax board has allowed same-sex couples to file joint tax returns.
Golden Globe and Emmy-winning actor John Lithgow, who’s long been a proponent for marriage equality, sat down with us to discuss his new film, the gay rights movement, and much more.
I was walking into the Eccles Theater yesterday to see the premiere screening of Love Is Strange and, since it doubles as a high school, these two young girls, who couldn’t have been older than 15, had set up a little table outside for the Gay Straight Alliance. It was a really nice sight.
High schoolers? That’s remarkable.
And the film is premiering here in Utah, since it’s become a battleground state in the fight for gay rights.
I think it’s a very good sign that it’s a battle in Utah. It didn’t used to be a battle because no one had the courage to come out or to declare himself or herself as gay. Now, it’s a battle, and people are standing up for their rights. It’s the nature of a revolution—there are revolutionaries, and now there are revolutionaries in Utah. I’m on the side of same-sex marriage and marriage equality. I’m not a gay man, but I grew up in a world of gay men and women in the theater and the arts. Some of my best friends—no, I would say my best friends—are gay people, so I’ve grown up in a very accepting mode with homosexuality. But I’m also a very empathic person and I understand people’s discomfort with homosexuality—with “the other”—and as a character actor, I’m accustomed to playing people with all sorts of inclinations and impulsions. I’m fascinated by the differences in people, but I’m also tolerant of them. The beautiful thing about this film is that it comes down on the side of tolerance and acceptance.
Homophobia and fear of, like you said, the “other,” really stems from a fear of the unknown. My Aunt has a lot of gay friends, and they were always around the house when I was a kid. We’d play charades and stuff in the living room. If you get to know gay people—or any person, for that matter—you’re probably not going to be intolerant.
Everybody is related to some gay person. Everybody has a gay person who’s a good friend and a lot of people don’t even realize it because, culturally, it’s a covert thing. And that’s wrong. Nobody in society should have to hide who they are, or feel like they’re second class citizens in any way. It makes me feel good that if this film is seen by a lot of people and is successful, it will nudge those people in the direction of acceptance. There’s nothing wrong with accepting people’s homosexuality. It doesn’t do any damage. All it does is treat people with more respect than they’ve culturally been accustomed to.
I was speaking to Lee Daniels who called the gay rights movement “the Civil Rights Movement of our time.” We are in Utah, and there’s another documentary here, Mitt, about Mitt Romney, who’s famously against gay rights. Why do you think there is so much resistance to gay rights on the part of mainly Republicans?
I can’t even begin to speculate. We all grow up with inherited genes and inherited sensibilities, and they run very, very deep. My parents were good ol’ FDR lefties, and my Dad was a man of the theater who produced and directed classical repertory Shakespeare festivals in Ohio. I grew up in a world with an extraordinary variety of people of various backgrounds. But a lot of people don’t grow up that way. A lot of people grow up in a very protected world, and they want to keep it that way for their reasons. But who knows how it falls out politically. I do know that young people are way ahead of older people. I remember that in 2004, I was rehearsing for a big Broadway musical in San Diego, and a same-sex marriage ban was enacted in some state, and I was asked about gay marriage, and I said, “Ten years from now, we are going to look back and wonder what the big deal was. People will be married, people will be accepted, and the gay lifestyle will not be thought of as wrong in any way. We’ll laugh at ourselves right now.” And it came to pass! I feel like I was speaking wise beyond my years. But with society, it’s like turning around a big tanker to change sensibilities that way.
It takes time.
And it takes leadership. With Obama, it took him awhile to come around, but he came around. And you can’t go back from something like that.
It was really Biden who forced his hand on gay marriage.
Biden made him! Yup. But you know it was what Obama believed long before he ever said it. He just had to behave politically. But it really moved things down the field. He’s made a big difference.
I viewed Love is Strange as more of a New York story than a gay-themed one. It seems like these two characters are torn apart because of the economy, and because the real estate market in New York City is impossible.
Yes! That’s what Marisa [Tomei] was saying. As far as she was concerned, it was a movie about New York real estate. I love New York. I lived there all through the ‘70s, and have lived in L.A. since the early ‘80s, but come back all the time to do theater. My wife is a professor at UCLA in Los Angeles, but otherwise, I’d be right back living on the Upper West Side. The theater is my power center, and I love doing it in New York. But Ira himself said it was a love letter to New York. He’s a gay man who first felt completely comfortable when he got to New York, having grown up in Memphis, Tennessee.
When did you and Alfred know that you had such special onscreen chemistry?
Alfred was set and another actor was set in the role I ended up playing—I won’t say whom, out of respect for him—but I think he made the mistake of his career not playing the part. So, when I was offered it, a splendid actor had been set to play it so certainly I was interested. And Alfred and me are old friends. We met in the early ‘90s and have lots of mutual friends, have had suppers together with mutual friends. We just really, really like each other, and I greatly admire his acting onstage and on film. He’s a very courageous actor. It was an act of faith for both of us.
And you have been doing more films of late. Is this a conscious choice?
I have been doing more films since doing a lot of theater after 3rd Rock From the Sun—playing small roles in This Is 40, The Campaign, and Rise of the Planet of the Apes. Nice films, but small roles. I was offered a small part in a big movie and a big part in this small movie, and they were shooting in the same time period. I was all set to do this one because it meant so much to me. Fortunately, my agent pulled off a magic trick and I got to do both—this, and Interstellar. I was almost ready to forego probably the biggest movie of next year. That’s how much this movie meant to me… Don’t tell Chris Nolan!
I won’t! So did you shoot this before Interstellar?
No, Interstellar came first. Ira came all the way to Calgary where we were shooting Interstellar to work with me for two days on the script—to his great credit. They couldn’t possibly be more different films. Oh, and what a wonderful guy Matthew [McConaughey] is. Just a delightful man. He really deserves everything that’s coming his way.
Are you gonna see Joseph Gordon-Levitt during the festival this year?
I already have seen him! Saw him Friday night and he threw a big party. It doesn’t surprise me that he’s such a big-time actor now. Back when he was working with us on 3rd Rock, he was surprisingly grown-up—such an adult teenage boy. Now, as an adult, he’s still a kid. It’s a wonderful thing. He’s hung on to all the fun of the 3rd Rock days. –The Daily Beast
5 Most Controversial Puppets
The Egyptian puppet appeared in a Vodafone ad in which she is trying to find her deceased husband’s SIM card. Here’s the ad:
A video-blogger and singer named Ahmed Spider alleged that the ad was communicating secret messages to the Muslim Brotherhood about a planned attack on a shopping complex.
Spider stated his intention to have Fahita, whom he suspects is a British agent, imprisoned. Wowie.
“I am a comedic character,” Fahita said in her own defense on Egypt’s CBC network.
Though the investigation into the puppet has been widely mocked, it still exists. As does a raging climate of fear and paranoia in Egypt.
Fahita isn’t the only puppet with problems. Lo, she is not even the only one that looks like a muppet with problems. Here are some other puppets that have sparked controversy, one way or another:
2) Bert and Ernie — Are they gay?
Rumors that Bert and Ernie are gay lovers are about as old as Sesame Street itself. The fact that they share a bedroom on the show doesn’t help, and neither did this New Yorker cover.
But Sesame Workshop’s official position is that the two are simply good friends.
Sesame Workshop President Gary Knell had this to say to the media: “They are not gay, they are not straight, they are puppets. They don’t exist below the waist.”
3) Kermit and Miss Piggy — Are they Communists?
Fox News was not a fan of the latest Muppet movie, or rather it was not a fan of the portrayal of a greedy oil tycoon.
In a typically uncorked interview, several talking heads on Fox accused the movie of beinganti-oil, anti-corporate propaganda made by liberals to influence children.
“It’s amazing how far the left will go to manipulate your kids and give them the anti-corporate message,” said guest Dan Gainor, of Media Research Center, a conservative think-tank.
Kermit and Miss Piggy fired back during a press conference.
“No, you know, it’s a funny thing,” says Kermit. “They were concerned about us having some prejudice against oil companies. And I can tell you that’s categorically not true. And besides, if we had a problem with oil companies, why would we have spent the entire film driving around in a gas-guzzling Rolls Royce?”
Miss Piggy adds: “It’s almost as laughable as accusing Fox News as, you know, being news.”
Watch here:
4) Rico — Was he a lecherous creep?
Air New Zealand launched a very successful ad campaign from 2010-2011 starring a puppet named Rico.
Rico appeared to be some kind of rodent and had a vaguely Peruvian accent. He got to hang out with Lindsay Lohan and David Hasselhoff, even recorded a song with Snoop Dogg.
But his jokes were crude. He talked about New Zealand beaches as “nice Kiwi bitches” and hiking as “beating off the track.” He encouraged passengers to have sex on reclining seats and grabbed one passenger’s crotch.
Even staff said they were embarrassed by the puppet’s hijinks.
At the end of 2011, Rico paid the price of his high-risk behavior. Air New Zealand killed him off. They said he died while hosting a “celeb-packed house-warming party in his Los Angeles mansion.”
5) Top Goon — Are they too political?
That’s certainly the aim in this case. “Top Goon: Diaries of a Little Dictator,” which launched on YouTube in December 2011, presents the Syrian crisis with four little finger puppets and a heavy dose of satire.
“Beeshu,” a belittling nickname for President Bashar al-Assad, stands in for the Syrian president. He is depicted as spoiled, insecure and stalked by nightmares.
The show’s critical reception has been largely positive at home and abroad, with commentary focusing on how the show reveals the security state’s mechanisms, and also Top Goon’s reluctance to rely on easy answers.
But not everyone has welcomed the show. Among the outpourings of praise, a few viewers have taken deep offense and posted threats that are unpublishable but tend to center on sexual violence against female relatives of the show’s creators. –Salon
Feb 2, 2014
The Mind Of A Homophobic Dad
You might find yourself confused by the first 28 seconds of this powerful PSA. But when those last 3 seconds hit, it's like a punch in the gut.
Todd Glass for GLSEN- Emmy-winning PSA
Was Wagner Inspired By Migraines?
Three German researchers present evidence that the German composer interwove his headache pain into his operas The enigmatic operas of Richard Wagner have been subject to countless interpretations over the decades—political, psychological, and spiritual. Now, a trio of researchers is suggesting there may be a much simpler explanation for much of what he wrote.
His music, they argue, is in part a reflection of his migraines.
“Wagner deeply interwove his migraine attacks and auras into his music and libretti,” a team led by Carl Gobel, a research fellow at the Kiel Headache and Pain Centre in Germany, writes in the BMJ.
The researchers demonstrate this contention by looking specifically at Siegfried, the third opera in his massive Ring Cycle. They even describe what they call a “migraine leitmotif” that recurs in the opera.
“The first scene of Act One of Siegfried provides an extraordinarily concise and strikingly vivid headache episode,” they write. “The music begins with a pulsatile thumping, first in the background, then gradually becoming more intense.”
While the music is rising in intensity, the character of Mime is “pounding with his hammer,” they write. “At the climax, Mime cries out: ‘Compulsive plague! Pain without end!’”
That music returns in Act One, Scene Three, at which point Mime complains “Loathsome light! Is the air aflame?” The researchers call that “a musical depiction of the visual disturbances of a typical migraine aura.”
If that interpretation sounds like a stretch, consider a letter Wagner wrote to Franz Liszt in January 1857. He tells his fellow composer that “for 10 days, after I had finished the sketch for the first act of Siegfried, I was literally not able to write a single bar without being driven away from my work by most tremulous headaches.”
Apparently incorporating the pain into his score provided creative inspiration, but not physical relief.
So, if Wagner’s music gives you a headache, consider this: His pain was most likely much worse than yours. –Salon
12 Most Offensive Adverts That Would Be Banned Today
In the present age of marketing, advertisements often tend to cross limits in a race to elevate the sales or to get the limelight of media. Advertisements often use lies and exaggerations as their main tool for grasping the attention of the masses. But what line did advertisements cross in the past? The answer lies in these offensive, racist vintage adverts:
The Power We All Have To Promote Justice
This gem of an ad was made 15 years ago to celebrate the 50th anniversary of the adoption of the Universal Declaration of Human Rights by the United Nations. I think the message is timeless.
"DESPICABLE" - Portuguese anti-racism advert
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